{"title":"Scottish Highlights","description":null,"products":[{"product_id":"the-protestors-1977-anda-paterson-rsw-rgi","title":"The Protestors, 1977 | Anda Paterson RSW RGI","description":"\u003cp\u003e\u003cspan\u003eA strong figurative work by Glasgow artist Anda Paterson, centred on a tightly packed group of demonstrators.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaterson was drawn repeatedly to crowds, workers, outsiders and ordinary people, and this has all of that energy. Loose ink-like lines, thin washes of colour and a mass of faces that almost merge into one another.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in Glasgow in 1935, Paterson studied at Glasgow School of Art from 1952–58, where her tutors included David Donaldson, Mary Armour and Benno Schotz. She later co-founded the Glasgow Group and remained closely involved with it for decades. She also taught in Glasgow schools; one of her pupils was Douglas Gordon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":55646067818876,"sku":"X281","price":480.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/B70F1869-9FA3-47A7-8991-33B85A8B97B5.jpg?v=1791793709"},{"product_id":"portrait-of-isobel-ewen-mcaslan-scottish-1936-2008","title":"Portrait of Isobel - EWEN MCASLAN Scottish | 1936 – 2008","description":"\u003cp class=\"p1\" style=\"text-align: left;\"\u003e\u003cspan\u003ePortrait of Isobel (his wife Isobel Colville) on paper, by Ewen McAslan (Scottish | 1936 – 2008), framed and signed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: left;\"\u003e\u003cspan\u003eThis piece was exhibited at The Hidden Lane Gallery in Glasgow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eEwen McAslan studied at Glasgow School of Art from 1953 to 1957, it was there that he met and bonded with James Spence, Anda Patterson, Alasdair Gray, Ian McCulloch and Jack Knox. Together they would go on to found the Glasgow Group, which was forged amid frustration at lack of opportunities for young artists. He married fellow artist Isobel Colville and in 1967 they moved to Canada, where he taught English Literature, Fine Art and wrote up the art curriculum for Winnipeg schools. They returned permanently to Scotland in 1994. His final exhibition was a study of Canadian Mountains which he showed at the 50th anniversary exhibition of the Glasgow Group.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eFramed height 74cm \/ 29”\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eFramed width 52cm \/ 20.5\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eAcquired from his estate with other unsigned and signed works\u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":55982055719292,"sku":"X608","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/VK-Nov_KB__93.jpg?v=1772718733"},{"product_id":"in-the-hands-of-the-gods-michael-mcveigh-scottish-b-1957","title":"In the Hands of the Gods | Michael McVeigh (Scottish, b.1957)","description":"\u003cp\u003e\u003cspan\u003eA large coloured etching by Scottish artist Michael McVeigh, showing a group of figures carrying model boats beneath a vivid blue sky.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in Dundee in 1957, McVeigh studied at Duncan of Jordanstone College of Art before moving to Edinburgh in 1982. He became known for paintings and prints rooted in Scottish life, folklore and memory, often featuring harbour scenes, musicians, fisherfolk, city characters and imagined histories.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMcVeigh has exhibited extensively in Scotland, including with The Scottish Gallery, and his work is held in public, municipal and private collections.\u003c\/span\u003e\u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":56119236755836,"sku":"X590","price":380.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/C2A2C224-AA49-4A86-917B-773D5C95B19A_587b2066-6ca0-4aff-8884-ba7f3de200db.jpg?v=1792184823"},{"product_id":"left-ewen-mcaslan-scottish-1936-2008","title":"Mountains - EWEN McASLAN Scottish | 1936 – 2008","description":"","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":56525808894332,"sku":"MC146","price":2200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/IMG_7336_c4997ca0-7b2e-4ed8-b114-7511824149ac.jpg?v=1774517889"},{"product_id":"isobel-in-the-trees-ewen-mcaslan-scottish-1936-2008-copy","title":"Cascades: Mountain Road - 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EWEN McASLAN, Scottish | 1936-2008","description":"\u003cp\u003eOriginal artwork by Ewen McAslan.\u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":56820677902716,"sku":"MC147","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/DSC01789.jpg?v=1780432211"},{"product_id":"outer-hebrides-limited-edition-print-4-50-frances-walker-scottish-1930","title":"Outer Hebrides Print 4\/50 - Frances Walker CBE RSA RSW","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eA quick note for collectors: Frances Walker’s work is getting fresh attention in Edinburgh with the RSA showing a focused selection of her prints and more unusual landscape pieces. It’s a reminder of how steady and influential she’s been in Scottish art. This print sits comfortably in that world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA limited edition print with hand colouring of the Outer Hebrides, possibly Tiree. 4 from 50.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrances Walker CBE RSA RSW \u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003ewas born in Kirkcaldy in 1930 and trained at Edinburgh College of Art, finishing in 1952. She picked up a couple of major travel scholarships straight out of college, which took her through Europe, including Greece and Iceland. After that she came back to Scotland, trained as a teacher at Moray House, and spent several years as the only art teacher for Harris and North Uist. That time in the islands shaped the way she looked at landscape for the rest of her career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eShe moved to Aberdeen in 1958 to teach at Gray’s School of Art and stayed there until 1985. In the 1970s she helped set up Peacock Printmakers and later chaired the board. Her recognition came steadily: Associate of the RSA in 1970, full Academician in 1983, an Honorary Doctorate from Heriot‑Watt in 2003, and a CBE in 2020 for her contribution to Scottish art and printmaking.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHer work sits in major collections across Scotland and beyond — Aberdeen Art Gallery, the National Galleries of Scotland, the Fleming Collection, RBS, Kirkcaldy, the RSA. In 2017 she gifted her Antarctic Suite to the McManus Gallery in Dundee. She still lives in Aberdeen.\u003c\/span\u003e\u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":56820711063932,"sku":"PP115","price":850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/DSC01802_ad054785-9302-4889-b144-48cb60222ebb.jpg?v=1780432145"},{"product_id":"edinburgh-north-bridge-1989-selina-thorp","title":"Edinburgh, North Bridge, 1989 | Selina Thorp","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eA strong Edinburgh cityscape by Selina Thorp, made in November 1989 while she was studying drawing and painting at Edinburgh College of Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNorth Bridge and the Old Town are reduced to blocks of black, rust, ochre and grey. Dark, architectural and unmistakably Edinburgh.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in Leeds in 1968, Thorp studied at Jacob Kramer College of Art before graduating from Edinburgh College of Art in 1990. Her tutors included David Michie and William Baillie, with Elizabeth Blackadder, John Houston and Victoria Crowe among the lecturers during her time there.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHer work is held in a number of private and corporate collections, including Marks \u0026amp; Spencer Head Office, Leeds United 100 Club, Valvona \u0026amp; Crolla in Edinburgh, Tetley’s Brewery, Burton Agnes Hall and the Finnish Consul in Edinburgh.\u003c\/span\u003e\u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":56820832305532,"sku":"PP116","price":580.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/IMG_6846.jpg?v=1791742257"},{"product_id":"weeping-christ-rendell-wells-scottish-1911","title":"Weeping Christ - RENDELL WELLS, Scottish | 1911-1997","description":"\u003cp\u003eA powerful, semi-abstract depiction of Christ by Scottish artist Rendell Wells.\u003c\/p\u003e\n\u003cp\u003eThe face is broken into angular, overlapping forms, with two striking yellow eyes emerging from a dense arrangement of deep reds, ochres, blacks and muted blues. Red marks descend beneath the eyes, giving the painting its title, \u003cem\u003eWeeping Christ\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe fragmented features and heavy outlines reveal a strong Cubist influence, while the intense expression and dark palette lend the painting an almost haunting quality.\u003c\/p\u003e\n\u003cp\u003eWells was a member of Edinburgh's New Era Group, which exhibited at Gladstone's Land in 1939. His work explored abstraction, Surrealism and the expressive possibilities of the human figure.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":56867827286396,"sku":"RW201","price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/3AE7B859-FEB1-4AB4-B398-0733C25398CA.jpg?v=1789751205"},{"product_id":"scottish-art-school-figure-study-nude-on-board","title":"Scottish Art School Figure Study - Nude on Board","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eA confident, academic figure study likely produced within a Scottish art college tradition. Painted on board in muted earth tones, it leans into classical life‑drawing influences. The soft modelling and pared back background keep the attention on form, light and structure.\u003c\/span\u003e\u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":56867857957244,"sku":"X445","price":280.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/DSC02771_25b7426c-570c-4e9b-84ea-903d9096c69d.jpg?v=1781267813"},{"product_id":"hamish-lawrie-1919-1987-highland-lochan-original-scottish-oil-painting","title":"Hamish Lawrie (1919–1987) | Highland Lochan | Original Scottish Oil Painting","description":"\u003cp\u003e\u003cspan\u003eA wonderfully expressive Scottish Highland landscape by Hamish B. Lawrie (1919–1987), depicting a secluded loch surrounded by dramatic mountains and dark, wooded hillsides.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePainted in thick, vigorous strokes of oil, with rich turquoise water, deep earthy browns and flashes of yellow and burnt orange. Lawrie's energetic use of the palette knife gives the landscape a remarkable sense of movement and atmosphere.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHamish Lawrie was born in Dunfermline in 1919 and studied at Gray's School of Art in Aberdeen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis career took an unusual route. In 1941 he moved to London and worked as a cameraman in the film industry. His first painting was reportedly sold to the poet Dylan Thomas for the princely sum of £5.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1947 he held his first major exhibition at Wolf Mankowitz's Little Gallery in London. After spending time working in Africa, Lawrie returned to Scotland, where his friend, the Scottish Colourist J. D. Fergusson, encouraged him to travel to France and develop his painting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLawrie subsequently spent nine years living in Saint-Paul-de-Vence, the celebrated artists' village in the south of France, associated with many of the leading painters and writers of the twentieth century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReturning to Scotland around 1960, he increasingly turned his attention to the Western Highlands and Outer Hebrides. His paintings from this period are particularly recognisable for their bold colour, heavy impasto and expressive treatment of the Scottish landscape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLawrie exhibited regularly in Edinburgh and was a well-known member of the Scottish Arts Club.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis work is represented in the Argyll Collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis painting is an excellent example of his vigorous approach to landscape, with the wonderfully tactile surface and rich colours that make his work so appealing.\u003c\/span\u003e\u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":57231163556220,"sku":"X681","price":580.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/D4973BAF-5E1C-4F2A-BE82-3DF81675B58C.jpg?v=1793009350"},{"product_id":"untitled-venetian-scene-hamish-lawrie-scottish-1919","title":"Venetian Scene | HAMISH LAWRIE Scottish 1919-1987","description":"\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHamish Lawrie (1919–1987)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in Dunfermline in 1919, Hamish Lawrie studied at Gray’s School of Art in Aberdeen before moving to London in 1941, where he worked as a cameraman in the film industry. His first recorded sale as an artist was to the poet Dylan Thomas, who bought one of his paintings for £5. Lawrie’s first major exhibition followed in 1947 at Wolf Mankowitz’s Little Gallery in London.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter working in Africa between 1949 and 1951, Lawrie returned to Scotland. His friend, the Scottish Colourist J. D. Fergusson, encouraged him to go to France to develop his painting, and Lawrie subsequently spent nine years living and working at Saint-Paul-de-Vence in the south of France.\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eIt was an extraordinary place for a young Scottish painter to find himself in the 1950s. Saint-Paul-de-Vence had become an important meeting place for artists and writers, centred particularly around La Colombe d’Or, and Lawrie’s work from this period includes French and Continental landscapes and harbour scenes.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe returned to Scotland around 1960, turning increasingly to the Western Highlands and Outer Hebrides. These later landscapes are characterised by strong colour, increasingly vigorous handling and heavy impasto. Lawrie became a regular exhibitor in Edinburgh and was a well-known member of the Scottish Arts Club.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis friendship with Fergusson continued to be significant. In 1960 Lawrie made a charcoal and wash portrait of the older artist, which is now in the collection of the Scottish National Portrait Gallery, having been acquired in 1986.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLawrie’s career is rather more cosmopolitan than his reputation simply as a Scottish landscape painter suggests: film work in wartime London, Africa, nine years in the south of France and extensive travel in Europe all sit behind the Scottish paintings for which he later became best known.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":57231171846524,"sku":"X682","price":680.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/CF6AF5D1-955D-4E94-8D74-36E20E04417E.jpg?v=1787067660"},{"product_id":"david-macbeth-sutherland-rsa-1883-1973-road-through-a-wood-original-pen-wash","title":"David Macbeth Sutherland RSA (1883–1973) | Road Through a Wood | Original Pen \u0026 Wash","description":"\u003cp\u003e\u003cspan\u003eAn expressive original pen-and-wash woodland landscape by the Scottish artist David Macbeth Sutherland RSA (1883–1973), titled \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eRoad Through a Wood\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA winding path disappears into a dense woodland, surrounded by tall trees, tangled branches and heavy foliage. Sutherland combines loose washes of grey and black with wonderfully energetic pen marks, creating a dramatic composition full of movement and atmosphere.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe drawing has an almost abstract quality. Dark vertical forms suggest the trunks of trees, while rapid, looping lines describe the surrounding undergrowth and foliage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is a remarkable confidence and spontaneity to the work, demonstrating Sutherland's considerable skill as a draughtsman.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBourne Fine Art, Edinburgh and London\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse retains its original label from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBourne Fine Art\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, formerly based at 4 Dundas Street, Edinburgh, with additional premises at 14 Mason's Yard, St James's, London.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe gallery specialised in British paintings dating from 1800 to 1950, with a particular interest in Scottish artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBourne Fine Art had an established association with the work of David Macbeth Sutherland and Dorothy Johnstone, holding a joint exhibition of the two artists in 1987.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe original gallery label identifies this work as \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eRoad Through a Wood\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, records the medium as pen and wash, and gives the dimensions as 22½ × 26 inches.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA further label from Bourne Frames \u0026amp; Restoration Ltd survives verso.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eDavid Macbeth Sutherland was born in Wick, Caithness, in 1883.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter working briefly in a law office and subsequently as an apprentice in a lithographic firm, he pursued his artistic training in Edinburgh, studying at the Royal Scottish Academy Life School under Charles Hodge Mackie.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was awarded the Carnegie Travelling Scholarship in 1910, which enabled him to travel to Spain and study European art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom 1913 he taught at Edinburgh College of Art, where he became an influential figure in the development of modern Scottish painting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was closely associated with the Edinburgh Group, a progressive circle of Scottish painters that included artists such as William Gillies, John Maxwell and Mary Newbery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring the First World War, Sutherland served with the Royal Scots and was awarded the Military Cross.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1924 he married the distinguished Scottish painter Dorothy Johnstone ARSA (1892–1980), another important member of the Edinburgh artistic community.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1933 Sutherland was appointed Head of Gray's School of Art in Aberdeen, remaining there until 1948.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was elected a full member of the Royal Scottish Academy in 1936 and exhibited regularly throughout his career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis work is represented in public collections, including Aberdeen Art Gallery and the Royal Scottish Academy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlthough particularly celebrated for his Scottish and Breton landscapes, Sutherland was also an accomplished draughtsman, often working with the immediacy and expressive freedom seen in this drawing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eRoad Through a Wood\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a striking example of his confident approach to works on paper, presented in a substantial dark wooden frame with a generous cream mount.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":57231344927100,"sku":"X683","price":650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/A0B6100F-C3B3-4905-A59D-C3D9B295271D.jpg?v=1793007801"},{"product_id":"david-macbeth-sutherland-rsa-1883-1973-estuary-loch-carron-original-scottish-ink-wash","title":"David Macbeth Sutherland RSA (1883–1973) | Estuary, Loch Carron | Original Scottish Ink \u0026 Wash","description":"\u003cp\u003e\u003cspan\u003eAn expressive original ink-and-wash landscape by the Scottish artist David Macbeth Sutherland RSA (1883–1973), depicting the estuary at Loch Carron in the northwest Highlands of Scotland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePainted in sweeping washes of black and grey, the composition captures the dramatic landscape of the west coast, with its steep hillsides, winding shoreline, wooded slopes and sheltered waters. Small boats sit in the distant loch, surrounded by mountains.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is a wonderful freedom to Sutherland's brushwork. Broad, confident marks describe the landscape with remarkably little detail, giving the painting an almost abstract quality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eExhibited at Aberdeen Art Gallery in 1974, with provenance from the artist's family estate.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eExhibition History and Provenance\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThis painting retains its original exhibition label from Aberdeen Art Gallery and Museum, identifying it as \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eEstuary, Loch Carron\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e by D. M. Sutherland, exhibited in 1974.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt formed part of the memorial exhibition \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eD. M. Sutherland MC, LLD, RSA, 1883–1973\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, held at Aberdeen Art Gallery from 5 to 26 October 1974, following the artist's death the previous year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe painting also retains a handwritten ownership label naming \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDr Dorothy A. Sutherland of Prestatyn, North Wales\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDr Dorothy Anne Sutherland is understood to have been the daughter of David Macbeth Sutherland and his wife, the distinguished Scottish artist Dorothy Johnstone ARSA (1892–1980). Her name is also associated with the family's stewardship of the artist's work in Aberdeen Art Gallery records.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe painting was acquired from the Sutherland family estate, providing a particularly interesting connection to two important figures in twentieth-century Scottish art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse also carries a historic label from J. Davey \u0026amp; Sons, picture framers of Manchester.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eDavid Macbeth Sutherland was born in Wick, Caithness, in 1883. He studied in Edinburgh at the Royal Scottish Academy Life School under Charles Hodge Mackie, whose influence helped shape his approach to painting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1910 he won the prestigious Carnegie Travelling Scholarship, enabling him to study and paint in Spain and elsewhere in Europe. His exposure to Impressionism and Post-Impressionism would have a lasting influence on his work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe joined the teaching staff at Edinburgh College of Art in 1913, where he became an influential teacher, encouraging a more expressive and colourful approach to painting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSutherland was closely associated with the Edinburgh Group, alongside artists including William Gillies, John Maxwell, Mary Newbery and Dorothy Johnstone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1924 he married Dorothy Johnstone, herself an accomplished painter and an important figure in Scottish art. The couple became closely associated with the artistic life of Edinburgh and Aberdeen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1933 Sutherland was appointed Head of Gray's School of Art in Aberdeen, remaining there until his retirement in 1948.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring the Second World War, he worked as an official war artist, recording the work of Newfoundland lumberjacks in the forests of Deeside.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eElected to the Royal Scottish Academy in 1936, Sutherland continued to paint throughout his life, particularly favouring the landscapes of the Scottish Highlands, the west coast and Brittany.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis work is represented in important Scottish public collections, including Aberdeen Art Gallery and the Royal Scottish Academy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSutherland died at Plockton in 1973.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eEstuary, Loch Carron\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a particularly attractive example of his expressive landscape painting, with the additional interest of documented exhibition history and provenance from the artist's family estate.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":57231377465724,"sku":"X685","price":680.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/579B1016-0877-4960-A053-F2D67803C719.jpg?v=1793008329"},{"product_id":"david-macbeth-sutherland-rsa-1883-1973-the-breakwater-stonehaven-original-scottish-oil","title":"David Macbeth Sutherland RSA (1883–1973) | The Breakwater, Stonehaven | Original Scottish Oil","description":"\u003cp\u003e\u003cspan\u003eAn expressive original oil painting by the Scottish artist David Macbeth Sutherland RSA (1883–1973), depicting the breakwater at Stonehaven on Scotland's northeast coast.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWorking with a beautifully restrained palette of soft blues, muted greens, ochres and greys, Sutherland captures the force of the North Sea as waves break against the harbour wall.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSmall boats sit in the sheltered water beyond, with the buildings of Stonehaven stretching across the distant shore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe painting has a wonderfully immediate quality. Broad, energetic brushstrokes and passages of exposed ground give the composition a freshness and freedom, particularly in the swirling movement of the foreground water.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is an excellent example of Sutherland's expressive approach to Scottish landscape painting, where atmosphere, colour and movement take precedence over precise detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eExhibition History and Family Provenance\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThis painting has an especially interesting and well-documented history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse retains its original \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAberdeen Art Gallery and Museum exhibition label from 1974\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, identifying the work as \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Breakwater, Stonehaven\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, by D. M. Sutherland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt was exhibited as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecatalogue number 35\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e in the memorial exhibition held following the artist's death in 1973.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSignificantly, the exhibition label records the lender as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDr Anne Sutherland, the artist's daughter\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA further handwritten ownership label names Dr Dorothy A. Sutherland of Prestatyn, North Wales.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse also retains an earlier exhibition label associated with an Aberdeen Artists exhibition, apparently dated 1967, indicating that the painting had an exhibition history during the artist's lifetime.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcquired from the Sutherland family estate, the work has remained closely connected to the family of David Macbeth Sutherland and his wife, the distinguished Scottish artist Dorothy Johnstone ARSA.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eDavid Macbeth Sutherland was born in Wick, Caithness, in 1883.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter initially considering a career in law and working for a lithographic firm, he studied at the Royal Scottish Academy Life School under Charles Hodge Mackie.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1911 he was awarded the prestigious Carnegie Travelling Scholarship, travelling to Spain and France, where he encountered European painting and developed his own expressive approach to colour and composition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe became an original member of the Edinburgh Group, a circle of progressive Scottish artists associated with the development of early twentieth-century Scottish painting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing service in the First World War, for which he was awarded the Military Cross, Sutherland returned to teaching at Edinburgh College of Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1924 he married the artist Dorothy Johnstone ARSA (1892–1980). Together they became influential figures in Scottish artistic life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSutherland was appointed Head of Gray's School of Art in Aberdeen in 1933, a position he held until 1948.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring the Second World War he worked as an official war artist, recording Newfoundland lumberjacks working in the forests of Deeside.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eElected to the Royal Scottish Academy in 1936, Sutherland exhibited extensively throughout his career and became particularly well known for his Scottish coastal landscapes, Highland views and scenes of Brittany.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis work is held in important public collections, including Aberdeen Art Gallery and the Royal Scottish Academy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSutherland died in Plockton in 1973.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eThe Breakwater, Stonehaven\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e combines the artist's confident, energetic handling of paint with unusually well-preserved exhibition documentation and direct family provenance.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":57231385821564,"sku":"X686","price":850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/16AC9164-B85B-4ED8-9909-DC0183CE351A.jpg?v=1793007659"},{"product_id":"street-scene-david-m-sutherland-rsa-scottish-1883-1973","title":"Street Scene - DAVID M. SUTHERLAND RSA | Scottish, 1883-1973","description":"\u003cp\u003eDavid Macbeth Sutherland RSA was a Scottish painter and influential art teacher, best known for his landscapes of the Highlands and west coast of Scotland.\u003c\/p\u003e\n\u003cp\u003eBorn in Wick, Caithness, in 1883, Sutherland moved to Edinburgh to study at the Royal Scottish Academy Schools and Edinburgh College of Art, where he studied under Charles Hodge Mackie. In 1911 he was awarded the prestigious Carnegie Travelling Scholarship, enabling him to travel and work in Spain, France and the Netherlands.\u003c\/p\u003e\n\u003cp\u003eSutherland was one of the original members of the \u003cstrong\u003eEdinburgh Group\u003c\/strong\u003e, an important circle of young artists who shared a studio at Picardy Place and began exhibiting together in the years before the First World War.\u003c\/p\u003e\n\u003cp\u003eDuring the war he served with the 16th Royal Scots, the celebrated McCrae's Battalion, and was awarded the \u003cstrong\u003eMilitary Cross\u003c\/strong\u003e. Following his return to Edinburgh he resumed teaching at Edinburgh College of Art, where his students included two of the most important Scottish painters of the following generation, \u003cstrong\u003eSir William Gillies and Sir William MacTaggart\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIn 1924 Sutherland married fellow artist \u003cstrong\u003eDorothy Johnstone\u003c\/strong\u003e, herself a significant figure in twentieth-century Scottish painting and another member of the Edinburgh Group.\u003c\/p\u003e\n\u003cp\u003eSutherland left Edinburgh in 1933 to become Director of Gray's School of Art in Aberdeen, remaining there until his retirement in 1948. 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There is something particularly lovely about its softness and the way the colours settle into one another.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse of the stretcher bears a pencil inscription reading 'Mcloud', although the artist's identity has not been conclusively established.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA quietly beautiful example of 20th-century landscape painting, with an appealing sense of stillness and atmosphere.\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"viki.knott","offers":[{"title":"Default Title","offer_id":57670392742268,"sku":null,"price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0505\/7295\/1736\/files\/D062899D-ADF1-4C76-97EB-D9B3889D8FEE.jpg?v=1792431832"},{"product_id":"saturday-afternoon-the-grange-edinburgh-lady-caroline-kininmonth-scottish-1907-1978","title":"Saturday Afternoon, The Grange, Edinburgh | Lady Caroline Kininmonth (Scottish, 1907-1978)","description":"\u003cp\u003e\u003cem\u003e\u003cspan\u003eSaturday Afternoon\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is an atmospheric Edinburgh garden painting by Scottish artist Lady Caroline Kininmonth (1907-1978). Worked in soft greens, blues and muted tones, the painting captures a view from the artist's home in The Grange, looking across the cricket ground towards Blackford Hill and the Royal Observatory.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe original handwritten label on the reverse gives the artist's address at The Lane House, 46a Dick Place, Edinburgh, and the title \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSaturday Afternoon\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCaroline Kininmonth was born in Edinburgh in 1907 and studied at Edinburgh College of Art between 1926 and 1930 under D. M. Sutherland and David Alison. 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