A great example of modernism from the 1960s, a painting that confidently synthesises surrealist undertones with a post-cubist appreciation for structure.
Oil on stretched canvas.
Signed and dated: 'E MELDRUM '65', a historic exhibition number lower left of frame.
The artist has also initialled the version with broad brush strokes.
The paint surface is stable with strong colours and no signs of craquelure or loss. The simple wooden painted frame has been left in as found condition, with some signs of discolouration.
